


Montreal's Klaxon Gueule is Michel F. Cote (percussion, microphones), Alexandre St- Onge (basses, electronics), and Bernard Falaise (electric guitar). While all three individuals compose and perform extensively in and around the vast Montreal experimental music scene, Klaxon Gueule's format is one of reduction, space, and refined tension.
more info at: http://www.actuellecd.com/en/bio/klaxongueule_/

The Talea Ensemble is committed to promoting new, groundbreaking music through innovative programming thereby communicating the distinctive voices of composers that deserve to be heard. By commissioning and programming these progressive works alongside the established literature of modern and contemporary repertoire, the ensemble creates a dialogue that challenges the boundaries of music and fosters a greater understanding of the works today. By developing an interactive relationship between the composers, performers and audience, the Talea Ensemble builds an environment of reciprocal inspiration that sparks the imagination of all.
Talea's performance at Spark is presented by the University of Minnesota's Contemporary Music Workshop. For more information please visit taleaensemble.org
The Friction Brothers [Chicago-based experimental trio]

Chicago's The Friction Brothers consists of Michael Colligan (dry ice, implements), Fred Lonberg-Holm (cello, implements), and Michael Zerang (percussion, piano insides). While each member has a lengthy resume on his own, their combined forces have produced an endlessly interesting repetrois full of harmonic resonances, grinding objects, manipulated dry ice, and, of course, heavy friction.
More info at: http://sortofrecords.com/the-friction-brothers/
Also:http://www.youtube.com/watch?v=VHW6vqnqgyU
Robots get a bad rap. If they're not rebelling against their creators and taking over the world, they're stealing your job. The gears of progress grind into a dark, antiseptic future. Or so movies would have you believe. But imagine machines that layer rhythms, automatically syncopate backwards looping beats, and trade licks with you. Where is that summer blockbuster? The film-adaptation may not exist yet, but the machines do. The one-man band Jazari consists of machines that play the djembe drum, the bongos, and a variety of hand percussion instruments, all under the control Patrick Flanagan, who wields a custom-built controller and a Wiimote to improvise through his mechanical band-mates. Jazari has played between punk bands at outdoor rock festivals and in darkened, reverent art spaces. No humans have been hurt or made obsolete.
Prior to working on Jazari, Patrick earned a Master's degree in music composition at the University of Minnesota, where he studied primarily with Dr. Noel Zahler. As an undergraduate, he studied composition at Columbia University, where he encountered numerous luminaries of new music and music theory, including Fred Lehrdahl, Tristan Murail, Joseph Dubiel, and John McGuire. After college, a Fulbright scholarship brought Patrick to Germany to study composition at the Musik Hochschule in Cologne, where he took classes with two brilliant composers of the Feedback school, the late Johannes Fritsch and Clarence Barlow.
For more information visit jazarimusic.com

Drumcell is the founder of Droid Recordings and co-founder of DroidBehavior along with the Vargas brothers of techno duo Acid Circus.Since the mid Nineties Drumcell has been a firm believer in the powerof techno and over the past decade become one of Southern California'sgreatest champions.
As a graduate of the Musician's Institute, a veteran performer atparties, and longtime recording engineer Drumcell harnesses a strongmusical background with a gifted sense of technological intuition. Thedelicate balance keeps him pushing the limits of his gear continuallyas a way to develop his artistic express. Forming the Droid Behaviorcollective with Acid Circus earlier this decade was another other majorstep in this ongoing development. In turn, the collective has helpedexpose other local artists as well as established DJs to the growinglegion of techno fans in the Los Angeles basin. In the past five years,he's played alongside nearly every major DJ in the genre via the trio'ssignature Interface parties. This year he also did a mini-tour of theUS which culminated in him playing the main stage at the prestigiousMovement festival in Detroi
For more information visit www.droidbehavior.com/blog/artists-team/drumcell.
As a teenager in the 90s Mikkel Meyer was eager to make electronic music, but first one major problem had to be dealt with; little access to instruments and no ability to buy them due to a restricted amount of pocket money. This led the youngster into recycling. Old broken stuff found in dumpsters was restored to new life and even today a lot of Mikkel's gear is homemade, found, modified or in some way fixed.
Los Angeles born and bred, Vangelis and Vidal Vargas were raised inthe '80s on a steady diet of Latin freestyle, electro, and new wavethat pervaded their urban environment. Their father also exposed themto cutting edge progressive acts Vangelis, Tangerine Dream andKraftwerk, planting early seeds for aural exploration. By the mid '90sthey were sampling LA's underground club scene and heavily researchingelectronic music's roots. After years of influence they began toexpress their musical vision through their own recordings andperformances. Vidal and Vangelis eventually found common ground withproducer / performer Drumcell, and in 2002 they formed the DroidBehavior event production group and record label out of frustrationwith the city's lack of knowledge, acceptance, and understanding forMidwest-bred techno and house music and their European counterparts.
Vultures started as a discussion that led to a noise making venture which has taken on it's own life and is carrying us with it. The musicians involved come from industrial, jazz, improv, rock, classical, and various goth style backgrounds. We never know where Vultures is going to take us, but we are unbelievably excited to see how various combinations of these influences will manifest themselves into new, exciting sounds with which we hope we can entertain and inspire others to do the same!
Arlene Birt is a visual storyteller, artist and information designer. Her work focuses on visually communicating sustainability by highlighting the cultural, environmental and political stories behind products. Arlene's work visually explains the significance of the every-day within the context of the big picture in order to engage people in their role as consumers.Arlene graduated in Visualization at MCAD, and shortly thereafter received a Fulbright grant to research visual communication methods to explain sustainability. Arlene received a Masters in Design in the Netherlands, and is adjunct faculty in MCAD's Sustainability Certificate program. She has consulted with the UN's Environment Program and her work on sustainability, which rides the line between art and communication, has been featured in Creative Review (UK), U.S. News and World Report, BusinessWeek.com, worldchanging.com, SEED Magazine, and at the Barcelona Design Museum.
In 2006, during my Sophomore year at MCAD, I began developing a tool for dynamic artwork and an attempt to put composition into a set of rules. This was my active project until the summer of 2007 when I moved to Brooklyn, New York and worked at The Studio for Interactive Media. I was introduced to people that have forever changed my course, showing me new ways that interactive media was integrating into the world around me. While in Brooklyn, I won an Adobe Design Achievement Award for my work in generative compositions. My work was exhibited at the de Young Museum in San Francisco and then later Adobe's headquarters in San Jose. Since graduating in December 2008, I continue to work actively on web-based projects as well as physical spaces and have continued to be noticed and have success in both.
tectonic industries is a collaborative art partnership of the Danish artist Lars Jerlach and the British artist Helen Stringfellow. The members began collaborating in 1999, while pursuing their MFA's in Sculpture at Edinburgh College of Art, Scotland. In 2001 they relocated to the USA, and they currently live in the Twin Cities. tectonic industries create mixed-media installations scrutinizing our all-encompassing desire for instant gratification and immediate satisfaction. Their work focuses on the artifice inherent within the creation of the modern myths and belief systems of popular culture, with a concentration on our seemingly endless quest for self-improvement. They recently had solo exhibitions at Franklin Art Works (MN), artDC (DC), and ONEZERO Projects (UK), and have participated in group exhibitions and festivals including The Soap Factory (MN), Contemporary Art Institute of Detroit (MI), Urban Institute for Contemporary Art (MI) and You Are Here Festival (UK).